Art flows into circles and points, whirligigs of splashes and permeating ideas. Permutations can be figurative or abstract, seminal or a flashback to rankle a perception. Depiction on multifarious mediums gets evocative. The mention of organic fibre sculpture rattlesone’s imagination. But that’s what Mrinalini Mukherjee achieved - entwining with hemp fibres and sisal ropes in a maverick way with expansive areas of vegetation, flora and fauna to bimorphic elements and temple structures. Mrinalini passed away the same week her retrospective took off at the National Gallery of Modern Art, New Delhi. Now it is a tapestry of history circumscribing a father-daughter era. Her father Benod Behari Mukherjee stood the vanguard of contextual modernism who brought the murals into Indian distinction. The father-daughter saga is symptomatic of the Indian art scene spanning nine decades that saw the art locus traverse a trajectory through both time and space.
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