Dharmendra kumar

Dharmendra Kumar is a senior journalist with a career spanning more than two decades in which he has worked for many leading Media houses. He currently heads Mediabharti Web Solutions.

The ‘soul’ of Bollywood is returning to Hindi films, and it seems that what Hindi audiences have desperately been missing for at least the past two decades is now being served back to them. Be it music, explosive action, or unbelievable villains standing tall, far away from the real world. After several recent films, ‘O Romeo’ also proves this point.

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For a long time, intelligence scores, commonly known as the Intelligence Quotient, kept rising across generations. This trend is called the Flynn effect. But, in recent years, researchers have observed something different. Younger generations, especially Gen Z, are scoring lower than Millennials and Boomers did at the same age. Why? The reason isn’t just one, but it is a mix of changes in lifestyle, education, and environment.

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Indus Towers’ story is really about riding the wave of India’s digital transformation. The company already has a massive footprint—over 225,000 towers and nearly 375,000 shared sites across all 22 telecom circles—and that scale gives it a strong foundation.

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For cinephiles who grew up on Abbas-Mustan’s taut thrillers like Khiladi, Baazigar, Soldier, Ajnabee, and Humraaz, it is nothing short of heartbreaking to see the duo associated with films like Kis Kisko Pyaar Karoon. The bigger mystery, however, is what compelled them to revisit the same formula with Kis Kisko Pyaar Karoon 2.

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When the news of the trade deal with the United States broke, the market’s reaction was almost immediate. Textile exporters, long burdened by heavy tariffs, suddenly felt a wave of relief. Shares of Gokaldas Exports and KPR Mill surged, hitting upper circuits, as investors quickly realised the math—lower duties meant better margins, stronger competitiveness, and a clearer path to growth in the American market.

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In its nearly two-hour runtime, 'Mardaani 3' gives away key plot turns too early. Before Ramanujan’s identity is revealed, it’s already clear he’s the antagonist. Similarly, Fatima’s undercover role becomes obvious well before the script confirms it.

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